A day like no other

I have no memory of the most profound moment of my life.

It was September 20, 1997. I had worked a full day selling cologne at the department store called Filene’s. After work, I met up with my best friend and roommate for a movie. Titanic was the number one movie at the box office, but we were there for L.A. Confidential, a more bro-friendly experience. The movie was sold out, so we went to Wal-Mart to look for Star Wars action figures instead.

Gimme a break. We were twenty-five. 

Our hunt was unsuccessful, so we drove across the street to McDonald’s for a late bite. We never made it.

A driver of an SUV ran a red light and t-boned our tiny Hyundai. He was supposedly searching for the song My Heart Will Go On (from Titanic) on the radio and didn’t see the stop signal, which is a much better excuse for a jury than “I was on the phone.”

Jump ahead almost twenty-five years. Spoiler alert—I lived. The three-ton vehicle, traveling at 40 miles an hour almost killed me. The road to recovery was a complicated and rocky one, and I have no memory of anything from that day, while my other memories are otherwise intact. Today, I’m watching Kurt Vonnegut: Unstuck in Time, a documentary of my favorite author. Vonnegut was a prisoner of war in World War II and survived the complete destruction of the city of Dresden, bombed by Allied forces. In the documentary, one of Vonnegut’s daughters said that he didn’t show his feelings about being the only survivor of such a horrific attack but he had to have been deeply affected by it. Of course, he felt it. Slaughterhouse-Five was his most popular book and only came about when he delved into his thoughts and feelings of that monumental event. Reflections that he worked for years to get just right on the paper.

While our experiences are different, I have worked hard to avoid tackling my own “Dresden Book” as Vonnegut had described Slaughterhouse-Five before he wrote it. There is therapy in exploring trauma, and writing is an indirect connection to others who are suffering. 

I lost a lot that day. Friends. Family. Teeth. An eye.

But I gained something, too. Perspective.

So it goes.

Confessions-Don’t let the bastards grind you down

We all know that people criticize more than they give praise. This is evidenced nowhere more than on the internet.

I had a bout of Covid, and while my wife and I are okay, it knocked us for a loop. Even though it’s passed, we’re still a little off. I managed to make some progress in my writing career, even if I didn’t do much actual writing. My goal is to get some attention for my superhero trilogy Tragic Heroes (Champions, Vengeance, and Avatars of the Maelstrom). I had recently taken them out of Amazon’s Kindle Unlimited program, and they were ready to be listed elsewhere. At Barnes and Noble, I listed them as FREE, 1.99, and 4.99, respectively. They are 4.99 each on Amazon, so I requested a price match, which they obliged. Amazon won’t let a seller list an e-book as permanently free, but they will price match.

Now, I took out an ad on Facebook to promote the free book. I targeted 20 to 50-year-old males interested in superhero comics and movies. I spent 30 dollars, and it was shown to thousands of people, with several hundred “likes” and about 30 “sales.” Was it worth it? I don’t know. Thirty bucks to give away 30 books seems like a loss, but it might be okay if a few people read and leave reviews or buy the next in the series.

The comments hit me hard. The ad asked, “do you love superhero comics and movies?” The first comment was, “Yup.” Hmmm. Not that helpful, but it was okay. The following comment was, “What’s next, Buffet of the Maelstrom?” I didn’t get the joke, but I gave it a laughing emoji. Then a man left two different pooping dog GIFs. Two separate ones. He left one and then found a better one? Someone left a cartoon of Trump looking in a mirror and seeing a superhero version of himself, complete with rippling muscles and a waving cape. I didn’t understand what the commenter was trying to say here, so I responded with some “???” 

I felt hurt. Were the covers of my books indeed a pooping dog? Are the fans of the genre so wrapped up in the status quo that anyone else’s story is worthless? I haven’t had a lot of “success,” but I feel the books are good, with great covers and good writing. And it has something to say.

Maybe that was what some of the trolls were objecting to.

I didn’t want to get preachy, so I kept some of the themes of fantasy fiction, but I also imagined what someone with the literal power to change the world might do. I created Shiva, a girl who knew only the cruel hand of her captor. She knows nothing of the world at large, but she imagines one in which everyone is equal. When she develops a genius-level intellect overnight, she sets to change the world, but first, she has to conquer it. 

When I started imagining the story of Champions of the Maelstrom, I wanted to do “realistic” superheroes. What does that mean? In the comics and the movies, the heroes have little effect on the real world. I mean, they save it but mostly they fight each other and also bad guys, but no one works on injustices that can’t be solved with punching.

I saw a lack of genius-level female super characters in the existing world of comic books and their associated media. Male characters with amazing intellects like Mr. Fantastic, Lex Luthor, Batman, and Tony Stark are prominent figures, but I can’t think of any female heroes or villains as smart. 

I invented Shiva, who wakes up one day with the intellectual capacity to change the world overnight. She intends to take control of the world and force change. This is the conflict of Book One. 

Back to the negative reactions to my advertisement.

My page (https://www.facebook.com/TragicHeroesTrilogy) shows other images and quotes from the book, and I suspect those were the cause of the outrage. The first response I got was, “Seems like woke garbage!” and that was the clue to whom I had upset. Maybe I’m wrong, but it seems I poked a nerve with males who saw the politics in my writing.

I wrote a book featuring a new take on superheroes, and I guess that is political. The storyline is good vs. evil with superpowers, but it’s also “With great power comes great responsibility—on steroids!” My antagonist drives the story, and unlike Batman and Spider-Man, who use their advantages to maintain the status quo, my character seeks to change the world. 

And that scares people. 

My point is that sometimes people will hate what you write, not for the writing but for what is says. And that’s a good thing. 

Reading is Hard. Pity the Reader.

I’m not talking about literacy, I’m talking about finding the time to read. Sure, you might be one of those people who always has a few books going at any given time, while putting even more books in your ‘to be read’ pile, and you probably don’t even own a television. No, I’m talking about the other people who have infinite forms of entertainment competing for their attention. Putting aside the hours spent sleeping, cooking, eating, cleaning et. al. we have more ways to spend the remaining minutes of our mortal existence than ever before. I don’t know about you, but I could just watch Disney + until the sun burns out.

As a writer, you need to get eyeballs on your words and keep them there. Kurt Vonnegut said, “Give the reader as much information as soon as possible. To hell with suspense!” While I don’t completely agree with him here, I know that a confused reader is one who closes the book and does not open it again. That’s the opposite of what you want.

We also have more ways to read than ever before, but the fact that anyone reads at all is amazing. But, the increase in the number formats means there are more books competing for your attention. As a self-published writer, the hardest thing you will do is to find readers. The late Mitch Hedburg had a joke about being a stand-up comedian and being asked to write a script, something related to comedy that isn’t comedy. I paraphrase, “It’s like being a great chef and being asked, ‘Well, do you farm?'” You wrote a book, which is an incredible accomplishment, but now you have to become an expert in marketing on an ever-shifting retail landscape. The three most difficult things you will do as a writer in reverse order are as follows and I quote- 

3) Write a book  2) Write your blurb. 1) Get people to read your book

I’m sometimes excited to check my daily page reads on Amazon. Often, no one read a single page or bought any hard copies. But some days when I see someone had read 500 pages of my books (or 500 people read one page each) I am excited. Something about the book kept them turning the digital pages and that’s a great thing. It means my newest marketing plan is reaching some eyeballs. Or it’s a fluke. I hope it’s not a fluke.

Back when I used to have a job, I told a coworker about this great movie. I offered to let her borrow my dvd. Every day, I would ask if she watched it. She hadn’t. Weeks went by. She said, “Are you sure I’m going to like it?” I wanted to say, “It’s a fucking movie. It’s two hours of your life! Watch it. Don’t watch it. Just give it back. I want to watch it again.” She returned it to me unwatched.

In case you’re wondering, the movie was Garden State. Her loss.

Making the decision to read a book, and then reading that book is a monumental accomplishment. I asked a friend to proofread a “finished” book and help me with plot points. While he was a book-a-day reader, he said he couldn’t get into my book. The first chapter was confusing (and thus, boring). I assured him that it picks up after that, but he never read any more of the book. He was right. The first chapter was not an attention-getter, so I changed it, but I couldn’t even force a good friend to waste any time.

That said, I plan to spend some time talking about the frustration that comes from friends and family not reading my books. I acknowledge to the universe that reading is difficult and tip my cap to anyone who spends hours alone with my words. It’s all I ever wanted.    

There’s a lot of stuff out there demanding our attention. Pity the reader and be thankful for them.

I’m not sure how other indie writers do it. 

I get e-mails from Mailchimp on how to expand my mailing list. I get e-mails from my server on how to enhance traffic to my store, which reminds me I should get a store. Facebook offers me a spend 20 get 20 deal. Bookbub has some ideas on how to spend my ad dollars. So does Twitter. And Instagram. 

Should I be exclusive with Amazon or go “wide,” meaning Apple, B&N, Bookbaby, etc. If I go wide I make less of a percentage of profits and lose out on that Kindle Unlimited deal where I get paid one cent for every three pages a subscriber reads. Cha ching!   

Anyway.

I picked someone to read my book Twenty-One Octobers, a self-made voice actor Jake Hunsbusher. He requires very little direction, but it’s weird to hear such a personal story read by someone else, yet draws from me the same emotions I tapped into while writing it. 

Part of the reason I am spending time and money on making an audiobook and a large print edition, aside from the potential revenue, is so my 84-year-old mother can enjoy at least one of her son’s works. But as I hear my voice actor read the words of a character inspired by her, I wonder how she’ll take it. Often I think my mother will like a book or a television show, only to be flabbergasted by her reaction. I bought her the dvd of “Police Academy” because I remember her liking the movies when I was a kid. She didn’t understand why I got her the slapstick raunchy comedy, and my partner suggested that maybe she didn’t like the movies, but went because I did.

Huh. 

I want her to read my book; I went to a lot of effort and expense, but despite everything the book will still be “too small” or “hard to hear” or she just won’t listen to it or read it. Why not? I don’t know.

I’ll leave with this possibly unrelated excerpt from a book I just finished called Bird By Bird by Anne Lamott. She shares essays and anecdotes about her career and thoughts on being a writer. Though she is successful, she has a remarkable insight into thoughts of failing. 

No one has expressed it better than a great novelist I heard once on a talk show who said something like “You want to know the price I pay for being a writer? Okay I’ll tell you. I travel by plane a great deal. And I’m usually seated next to some huge businessman who works on files or his laptop for a while, then he notices me and asks what I do. And I say I’m a writer. Then there’s always a terrible silence. Then he says eagerly, ‘Have you written anything I might have heard of?’

And that’s the price I pay for being a writer.’    

Bird by Bird, Anne Lamott

Confessions…9/22

A continuation of my previous Confession- my reviewer gave the final book in my series, Avatars of the Maelstrom 4/5 stars! I’ve been checking every day like a I was waiting for a grade from my professor.

“Great story, keeping you guessing every page I read. Unexpected ending…I’m sure you all will enjoy reading.”

Here’s hoping all my reviews are that positive.

I haven’t written anything in a few days; I’m working on new formats for my previous publications. Large Print and Hardcovers require redoing the original covers, a task for my freelance artists. I changed computers last year and lost the writing of Twenty-One Octobers, so I had to salvage my original Word by downloading the book on Amazon and splitting it up into chapters and recreating the book using Vellum. But after a couple of day’s work, I have my digital manuscript back.

I’m also waiting on the cover for the Trilogy edition of Tragic Heroes as well as the prototype cover for sVck, the first from friend and long-time artistic go-to-guy, Michael Kelleher, the second is coming from art house 100 Covers.

Okay, back to work. Blessings on all your houses.  

Confessions of a Failed Writer-rebirth edition

To paraphrase Ursula Le Guin: 

“When did you know you wanted to be a writer?” 

I’d respond, “I’ve always been a writer.”

I wish I had started writing with the intention of publishing earlier in life. In the computer lab in High School (class of 1990) I would write stories of my Dungeons and Dragons characters. My friend gave me my first criticism, she said, “You need more than fight scenes.” She was right.

I always had ideas but rarely got them down on paper. I wrote a poem on my love’s lament that was published in a school journal. I submitted an idea for a role-playing game adventure. But it wasn’t until I was in a near-fatal car crash twenty-four years ago that I decided to quit my job and become a comic-book writer. But I was wrong. I should have been writing while I had that full-time job. It’s all about time management and making choices on what’s important.

Make progress every day. Pick a goal (in this case-writing) and work on it every day. Ten minutes before work. After dinner before putting in a movie, write for half an hour. After putting the kids to bed. It adds up because on the day when you have more time, you already have a foundation. Even if you don’t use what you wrote, you got it out of the way and it will lead to better things. Write in the morning. Write at night. Write when you can’t sleep. Write when all you want to do is sleep.

I have a friend (actually a couple, but I’ll merge them into one for this) who is jealous of the time I have to write. This person would love to be a writer, but just doesn’t have the time. I disagree.  Sometimes, thinking I have unlimited time can be a detriment to the process of completing a project. When I have a job, I do a lot of “writing” while I work, looking forward to the time when I can jot down my ideas. The point is, we choose how we spend our time. There’s a quote, “I always wanted to be a boxer, until I fought someone who WANTED to be a boxer.” The point is,  if you want to do something, do it. 

Don’t wait until you “have the time.” Get a grain of sand and place it where you want it. Tomorrow, add another. Someday you’ll have your castle.

Confessions of a Failed Writer

(You might have read this already. I am a failed blog poster)

I am a failure as a writer.

The first person I met at college had self-published her novel and it was a success. People bought it, read it, and liked it. She made enough money to pay for college and probably a bunch of other stuff. She now has a sequel, an audio book, and a movie deal.

She is a success.

I was tainted. I thought all I had to do was write a good book and it would sell and I could be an author with a car that doesn’t always have that low-tire pressure light on, and I would own a house, and people would want me to sign stuff that I wrote.

I graduated college with a writing degree. I wrote a book. A few friends and family read it. I wrote another book. A few friends and family read it. I wrote two more books. No one read it. 

Well, that’s it. I’m a terrible writer, right?

Maybe. Maybe not. 

In between publications, I joined a Facebook group recommended to me by another successful writer friend. They are a great help with information regarding self-publishing specifically on Amazon. But there is a lot of info and there is a lot of different advice.

First, you need a mailing list. “I wish I had built a mailing list before publishing all these books,” someone wrote.

First, you need to write to market. “If you want to make money, write what people want to read now! Read the top ten in the genre/keywords and copy the recipe. Billionaire Romance is hot now! Write that. Everyone is reading Clean Vampire Billionaire Harem Romance now. Write that and you’ll be rich.

First, you need to write twenty books and then you’ll make fifty grand.

Stop.

I don’t want to write that stuff. “Do what you love and you’ll never work a day in your life.” Isn’t that what people say? You’ve heard the punchline. “…because they’re not hiring.”

What is success?

In America, money equals success. Successful people have money. Right? My friends and family would say I am successful because I graduated college and wrote five books. True. I successfully did those things. Am I a success?

I don’t feel like one. I wrote a trilogy of books in the Superhero Science-Fiction/Fantasy category. They have cool covers illustrated by a working comic-book illustrator. They are well plotted with lots of twists and turns. I did the work. I advertised in the right places, but no one’s reading my books.

Why not? If people were reading and saying stuff like, “This books sucks!” then I’d know I wrote a turd. I look at the most popular books in my genre and…damn it, they’re a lot of shirtless, six-pack dudes and no capes! They’re placed in the superhero category, but as far as I can tell there are no characters who can bend steel or fly. I feel cheated.

So, I started writing a sequel. Wow. That’s stupid, right? You might say, “Cut your losses!” I feel like I failed, but I enjoy the story I’m telling. I’m also working on a sequel to another non-superhero book I wrote and I’m also writing an erotic vampire novel. Because why not? I’m having fun going broke.

In this space I’m going to talk about writing. Not really about the craft or even the business aspect, but the decision to wake up every day and write. I want to tell you about my struggle. I’d like to hear about your struggle. I’ll talk about aches and pains and paying the bills and taking care of my pets and maintaining a relationship with a non-writer. All the dirty, ugly, non-sexy parts of what it takes to try to be a success.

What is success to you?

Just Can’t Seem to Win

What follows are excerpts from my senior thesis that I read before a small group of colleagues, friends, and family at Goddard College in Plainfield VT. The words in bold are intended to inform the audience of some of the back story and connect the dots between scenes, because I only had 45 minutes therefore I couldn’t read everything. For the record, the following story is an amalgam of truth and fiction. Some of it happened, but not in the way I’m telling it. Some of it happened exactly the way I tell it, and some of it is entirely fictionalized.

 

In 1981, my oldest brother, Domenic, was murdered by our sister’s husband. I was only nine and didn’t really know him, but I was fascinated by the way he was revered by his friends and family. This is a story that I have wanted to write since I learned such a thing was possible.

I took the personal stories of my brother (Dean in the story), my sister (Diana) and my mother (Lynn), mixed in court records, newspaper clippings and personal reflections. I stirred the mixture by connecting the dots, an imagining here, a bit of psychology there until I had the beginnings of a complete story. There were people who didn’t want this story to be told. The research, they believed, would be like disturbing a grave after thirty years. Others had their own recollections of the young man who was idolized by so many. The three family members who read the final draft of my senior thesis said I had gotten it wrong. My mother said it didn’t ring true. My brother said I was sensationalizing a family tragedy and that he wanted no part of this project.

Chapter 3-Diana

August 1975

Domenic had done his best to look parental when he got ready that morning. He pulled his long wavy hair into a ponytail, tucked his flannel shirt into his paint-spackled jeans; Even his work boots were laced and tied. He had employment and a place to live. He felt as if he were doing everything right.

Billerica Elementary looked the same as he remembered it when he went there. The small building was covered in fake red bricks, a stick-on facade that gave the illusion of craftsmanship. Diana rushed forward and pushed on the door’s silver bar, but the doors held fast. Only with her brother’s help did they yield. The hall beyond was quiet. Their footsteps echoed despite their attempt to be silent.

Soon they had reached the principal’s office. “How can I help you?” asked the secretary, a thin woman who wore a brown scarf and a heavy scowl. A metal sign on the desk proclaimed her name was Ms. Tibble.

“I’m here to register my sister for school. Fourth grade,” Domenic said with a smile that showed just a hint of his crooked teeth. He gripped Diana’s hand a little tighter.

“I see,” said Ms. Tibble. “Do you have an appointment?”

“No. Sorry. I didn’t think I needed one.”

“Wait here, please,” she said motioning to a row of metal chairs with plastic cushions. She went into the office marked “Principal”. The two sat down; the plastic cushions made matching fart sounds. They both snickered into their hands.

Dommy crossed his legs as they waited. Diana had seen her mother and her older sister Darlene sit like that, but never a man. How funny it was that a man as rough and tumble as Dommy could sit so ladylike! His hand went to the cigarette behind his ear. He removed it from its perch and hid it in his shirt pocket.

The secretary returned and escorted them to meet the principal. The plaque on the door read Mrs. Regina Sibayan. In the wood-panelled office, a well-fed woman in a purple blazer sat behind a large desk. Her glance up from the appointment blotter ended in a smile that was even bigger than the desk. After some introductions, Mrs. Sibayan said, “Tell me, Mr. D’Alesio, where are your parents? Why are you here registering Diana instead of them?” The questions were like the preparatory punches from a boxer–they sized up and primed the defender for a beating. Her eyes moved from the little girl to her brother and back again as she waited for his reply.

Domenic’s patience was wearing thin. He had no experience with bureaucracy and rarely in his life had smiling and making nice been encouraged. He wasn’t foolish, however. He did his best to be diplomatic. He said, “I have temporary custody.”

“Indeed,” she scoffed. “How old are you? You look barely old enough to be out of school, or have custody of anyone–much less a ten-year-old girl. Do you have any paperwork–from a judge?”

He patted himself down hoping that somehow he did have the necessary paperwork. He shrugged after his search yielded no documents.

“Do you have any identification? A driver’s license, perhaps?”

His reply was a glare and a clenched jaw.

The purple-clad Principal leaned over her desk, her breasts forced against it so hard they seemed like they might burst from the sides of her suit jacket. Diana bit her tongue to contain her laughter as she watched the blazer do its best to contain the lady’s breasts. The Principal said, “Young man, who told you that you had custody?”

Domenic looked at his sister with a questioning blank expression. “Mrs. Reynolds, the caseworker,” she said.

The Principal sat up straight and shook her head with a frown, “I’m sorry. Without the court-ordered paperwork indicating custody, you can’t register her for school. If you can locate it before the first week has ended, I can allow her to start classes. Or call Mrs. Reynolds and have her call me. Otherwise, one of her legal parents will have to call or come in.”

Domenic leaned his head back in frustration looking directly at the white drop-ceiling filled with tiny holes. As his eyes unfocused the hundreds of dots merged into a single black pool that dominated his vision. Why had Reynolds said he could take Diana and not given him the paperwork? He didn’t know why they were making this so difficult. All he wanted was to take care of her until–well–until he figured something else out. Forever, if he had to. He could do it. He had a job and a place to live. How hard could it be? The welfare check helped. What the hell was he going to do with her every day? She needed to be in school. He and Danny had a job with Fasciano painting; Fasciano even rented a place to them and took the rent directly out of their paychecks.

His eyes begged the woman as he said, “There’s nothing I can do?’

“Not without legal documents. What is your address and phone number?” She held a pen against a pad of notepaper ready to transcribe his response. Her smile faded as she waited.

He stood up. Without a word, he hustled Diana from the office.

“Fuck!” Domenic shouted when the double doors at the entrance of the school closed behind them. Outside, there was no one to hear his curse.

“Fuck,” Diana mumbled as she kicked a small rock. No one heard her swear as it skittered across the parking lot. She liked hearing people curse, but she never did it. ‘Fuck’ was an all-purpose word used to strengthen a sentence, and she felt powerful when she said it–just like her brother. But his strength was gone. Defeated, the walk back was slower–more of a death march than the triumphant walk home they had anticipated. There was no hurry to be anywhere at any time. The two shuffled along.

The rail vibrated warning them of oncoming danger. They stepped off the track. The train rumbled along back from its destination. This time it was full of coal; the mounds poked out of the tops of the cars slowing its return. The train too, laden with its heavy burden, seemed less anxious to reach its place of origin. Black smoke came out of a stack in short bursts.

Domenic stopped to pull out a joint–a curly little deformed thing. He lit it and inhaled before offering it to her. She looked at the marijuana cigarette and at him without comprehension. “Want a hit?” he said. She shook her head. He shrugged and let out a blast of smoke. They resumed their silent walk. Diana was angry at herself. She wanted to be like her brother, but she was too frightened to try the drug. She was afraid it would burn her mouth and throat the way she had seen others choke and sputter after taking a hit. She didn’t want to look like an idiot in front of the greatest man she knew. On their solemn return, she decided she would learn to swear properly–loudly and with conviction.

She make an oath that she wouldn’t let anyone hear her swear or see her smoke until she had some practice.

 

My family was upset about what I had written. I wondered how my perception of the events could be so different from theirs. After all, I recorded the interview so there could be no confusion on my part. I didn’t ask them to elaborate, I felt if they had more to say they would. They never did.

I worked hard to make everyone shades of grey rather than strictly good and evil. Even the man who murdered our brother in a fit of revenge was once a trusted member of our family. Their father, not mine, a man who they hated for his strict, often cruel, behavior is shown as a man who loved his oldest son. I changed most of the names, but anyone who lived it knew who is whom. I characterize Dean as a young man who felt guilt for his inability to save his brother. Though the reader, and no one who knew first hand what happened, would blame him, maybe he felt I was blaming him. Lynn, the mother character, could be judged harshly. Her children live as adults, separate from her, from their father. Their reflections on that time are clouded, they no doubt feel that they were no longer kids. I see them as children living the lives of adults and attempt to show that cloudy distinction.

 

In this next story, Diana has just arrived after hitchhiking thirty miles from where she lives with her mother to her brother’s place in Billerica. She did this often. She was fourteen.

 

From behind the heavy wooden door, she could hear the notes of an acoustic guitar as it searched for a song. She smiled as she imagined her brother strumming away, with his long wavy brown hair and his intense look as he concentrated on the music. Before knocking, she paused to listen. The strings played the slow, sad notes of a song on which Domenic had been working the last time she had been there, two weeks before. Along with the music came the pungent, tangy scent of stale pot that lingered in the wood of the door. The smell permeated her nose until she could taste it.

Without knocking, she turned the knob. A single candle lit the kitchen. A large window behind the table allowed in some illumination from the single pole of the parking lot, but the kitchen was mostly dark. The lights silhouetted her brother as he sat looking ghostly at him with an acoustic guitar cradled in his hands. He looked up, and a scowl replaced his look of concentration. He shouted without raising his voice: “Diana, what the fuck!?”

She flicked the switch next to the door, and the room came alive with light. The door offered a click as she closed it. She gave her older brother a sheepish half-smile while batting her eyes. “Hey, Dommy,” she said. Her attempt at looking cute was an obvious tactic, but more often than not it worked.

He squinted against the light from above. “I told you not to come here alone,” he said as he placed his guitar against the table. “I don’t want you hangin’ around here anymore,” he said with all the sternness he could muster to his baby sister, which was far less than she had seen him aim at others. He crossed the small kitchen with a few steps, his untied boots making hollow clumping sounds that seemed angry to Diana. He enveloped her in a hug that lifted her from the puke-green linoleum. “It’s not safe,” he whispered into her ear through her long brown hair. “I should call Ma to pick you up,” he said, placing her down.

“Can’t. She’s workin’. Plus, she doesn’t have a phone.”

Dommy took the cigarette from behind his ear as he sat down at the table. Diana sat opposite him and watched him light his Marlboro. He took a deep drag and let out a wisp of smoke through his lips.

Placing the cigarette in the ashtray, he picked up the guitar. “Do you know why she took Jan to live in New Hampshire?” He asked about their kid brother, barely eight years old.

She shook her head, even though she knew all too well.

He looked unblinking into her brown eyes and said, “Because she didn’t want him to turn out like us.”

“I love it here,” she said sweeping loose ashes off the table with one hand and into the other.  She dumped the contents into the ashtray. She stood and looked around for a trash bucket. Finding none, she brought the tray into the bathroom, flushing it down the toilet.

When she returned, he said, “I love it too. But it fuckin’ sucks. Don’t you get it? Every night there’s police cars. They don’t even come half the time when they’re called. When they do, they take their sweet-ass time. Something’s always happening. People are always yelling and screaming. They buy and sell drugs in the parking lot next to where I live. I’m not just talkin’ pot; I mean real shit. Heroin. Coke.” He took another drag. After letting the smoke out of the side of his mouth, aiming it away from her, he said, “Not that anyone here can afford to do drugs. There’re no jobs. People hang out all fuckin’ day. This place is a shit hole. It’s only a matter of time before someone gets killed.”

Diana’s face was blank. She said, “What if Jenny got pregnant? Would you leave The North?”

“Don’t call it that. And yeah. I wouldn’t want to raise my kid here. There ain’t nothin’ for anyone in Billerica.”

“What are you gonna do?”

“I don’t know yet, but I gotta get out of here.”

“Would you want a boy?” she said smiling.

“Why are you on me about this?” he said. “I don’t know how to raise a girl. I already proved that when I took care of you.” They shared a smile. “I don’t know how to raise a boy, either. I guess I’d just do everything the opposite of what our father did.”

Her lips snapped down covering her teeth. She looked at the table searching for more ashes. “Are you and Jenny gonna get married?”

A cough struck Dommy’s throat, and it was a few moments before he could speak again. When he caught his breath, he said, “I don’t have a way to bring you home, and I shouldn’t let you stay here…but I have to. Maybe in the morning Ricky can bring you home.”

She felt as if everything was changing. Her few friends were getting older. Some were having children of their own. Even her boyfriend lived in Billerica. She wanted to absorb every moment before they were gone forever. Most of all she wanted to be with her brother. Just being around him made her feel important. He was the center of their friends and family, of the whole town. She felt like the little sister of a rock star. She was Dommy’s little sister which made people smile and said “hi.” Sometimes they asked if she needed anything. People treated her better–with respect.

Dommy began to play his guitar. He played the same song he was playing when she arrived, but this time he added lyrics.

 

Shoulda known better

And it took me all day to figure out a reason why

Why my pretty little baby girl had to say goodbye

My precious little baby girl had to go away

Shoulda known better

Than to ever let her get away

Than to ever ever ever ever ever ever

Let her get away

Oh Lord, I just can’t seem to win

In this next scene we see the difficult life that Lynn lives. A single mother living with her two youngest, she is forced to take in a border. This scene shows the flexible nature of the family friend Ricky, a man whose size and violence has benefits if he was on you side.

Chapter 5-Lynn

July 1974

“Jeep, you have to go.”

Lynn stood tall as she commanded the man who rented a room in her house. Renting to him was likely a violation of her lease–if she had one. He was short but lean and muscular with blonde hair. Manual labor and hard drinking had given him a firm, yet aged, physique.

“Now,” she said.

Jeep scoffed, “I’m not going anywhere, Lynn. I’m paid up through the end of the week,” he said before opening the refrigerator.

“Diana told me what happened,” she said.

Diana was only eight, with long brown hair like her mother. She shared a room with her one-year-old brother, but he was not a reliable witness.

Jeep took a long swig of beer. He wiped the foam from his lips with the back of his hand. Smirking, he said, “I don’t know what you’re accusing me of, but I’m not going anywhere.” He chugged the remaining liquid and placed the empty beer can on the table.

Lynn ran her fingers through the thin brown wires that extended from her scalp. She had just turned forty and right on schedule her hair had started to dry and gray. In frustration, she grabbed a thick handful and pulled. It wasn’t hard or sudden enough to rip any out, but the pain gave her some sense of satisfaction. It helped her focus.

“I don’t want you getting any ideas. I have a reputation…” Jeep said.

Diana appeared in the kitchen. Like a specter, the little girl did not move. Faced with the confrontation before her, she was frozen in time. Her mother and the tenant faced each other in silence while Diana lingered.

The front door swung open, slicing the room in half with the sudden force. The crash of it hitting the wall caused Diana to jump. Barely squeezing through the doorway was a lumbering behemoth. Ricky stomped into the room. The menace of the man did not come from his height, but his girth. Ricky wasn’t fat, but he was big–enormous! When he moved, he did so with the unstoppable force of a Mack truck. His arms had mass and strength from lifting weights often. His neck was thick, so thick one could barely see where it ended and his cement block of a head began. No one in their right mind would look sideways at the brute, let alone challenge him.

“Diana, go upstairs and see Jan,” said Lynn. The girl didn’t move. Her eyes were frozen open. Though she was scared, her face flirted with a smile. The violence had an electric effect on her. It hurt, but the sensation was exciting.

Behind Ricky, looking insignificant, was Domenic wearing a Paddy cap and blue coveralls. The door remained open. The empty beer can fell to the floor. No one noticed the can. All eyes were drawn to Ricky.

“Ma, you okay?” said Domenic. She nodded and mumbled, “I want Jeep to leave. He…Diana…”

Domenic licked his lips and clenched his fists.

“I didn’t do anything.” Jeep had a surge of strength spawned by a panic that gave his words false courage. “And I’m paid through the end of the week.”

His bravado couldn’t equal Ricky’s gravity. Diana smiled in anticipation of the confrontation. Surging forward, Ricky’s meaty hand latched onto Jeep’s scalp. Lynn gasped as his gargantuan paw wrapped around the man’s skull. He hoisted him out of his seat, banging him into the hanging light above the table. He pushed his beefy red face close enough that the younger man could smell his breath. It stank of cigarettes. The lamp swung back and forth casting shadows that ran wild through the kitchen. “Ten minutes. Pack your shit. You’re gone. Call the cops and you’re dead.”

Dommy was smiling as Ricky let his victim go. Jeep passed Diana, who wore her smirk like armor. Lynn poured tea. They sat down and drank, the hot beverage burning their mouths. They listened to her former tenant bang items and stomp around upstairs as he packed up his life.

“Thanks for coming so quickly.” She hugged Dommy as Ricky sunk into Jeep’s chair. It groaned in protest of his bulk, but it held. Ricky looked at his watch and said with a smile, “Hey, Lynn. Ya got anything to eat?”

Ricky gave Jeep ten minutes. He was gone in five.

Dommy and Ricky did construction. This story takes place during a job in Maine.

 

Chapter 9-Domenic

September 1981                                                 

I spent all day doing nothing–riding in a truck–and somehow they got dirty again, Domenic thought as he glared at his fingertips. The intermittent lights of the city shone through the windows, flashing on his dirty hands.

He rode in the front seat while Ricky drove; Dommy didn’t have a license, but that didn’t stop him from sometimes sharing the responsibility of driving. In the back of the van, hunched in the cargo area were Domenic’s brother Danny, Danny’s friend Dave, and little RJ. The five were returning to their motel after having dinner at Captain Jack’s Lobster Shack, one of the many seafood restaurants in Saco, Maine.

Danny squatted on his haunches, balancing himself as Ricky made sharp turns and rapid stops and starts. “Good meal, huh Dommy? I love fish-n-chips, but they never give you enough tartar sauce,” he said.

Domenic stopped looking at his hands and nodded. “I thought the waitress was hot,” he said smiling at Danny. “RJ, did you get enough to eat?” he asked the boy who had his back to the wall of the van. Ricky Junior mumbled his response. “Yeah, it was good.”

“He fuckin’ better have! The kid’s plate cost me ten bucks,” Ricky said without a smile. Domenic looked at Ricky and thought, Yeah, he eats like his old man. He remembered his own father and what a struggle it had been to get quality food. Years and years of plain spaghetti and PB&J, while his father, and a woman who wasn’t his mother, ate Chinese food and other take-out meals. He and the other kids didn’t starve, but they were second-class compared to the two adults–or her fuckin’ kids. He didn’t care. He ate their leftovers. Fuck them.

“Hey, pass me a joint,” said Ricky with a nod of his head in the direction of the glove compartment.

Within the glove box, a zip-lock baggie contained a half-dozen rolled joints and some loose seeds and stems. He gave a joint to Ricky and returned the bag. As Ricky lit the marijuana cigarette with the in-dash lighter, Domenic said, “Hey, maybe you should wait ‘til we get back to the motel.” Domenic knew that Ricky already had four beers at the restaurant; he was a big guy, but why risk it?

Ricky stopped at a red light by jamming his foot on the brake. Domenic heard someone tumble to the floor of the cargo area. With the joint sticking out of his mouth, Ricky turned to Domenic and said, “Shut up Dommy. When you drive, you can not smoke a joint.” His face was red like a peeled tomato, and Domenic knew better than to push him when he was like this.

A horn blared behind them. Both men looked up to see a green light. The car honked again. Domenic watched Ricky’s anger change targets from him to the driver of the car behind them. Shit, Domenic thought as Ricky looked furiously into the side mirror. Ricky’s hand went to the door handle. Domenic knew what was about to happen. He had heard from Dean of the incident in which Ricky had savagely beaten an old man who had cut him off. He also knew the brute had ripped Diana’s boyfriend from his car by the kid’s hair. Dommy wasn’t afraid of him, but he was afraid of what the man could do.

“Go!”

Domenic’s shout brought the big man out of his rage long enough for him to forget the car and jump on the gas. The van roared through the intersection. Ricky took a hit off his joint, turned to Domenic and said, “Don’t fuckin’ yell at me.”

Domenic said, “You were about to go after that guy.”

Ricky glanced into the rear view mirror. “Fuck,” he said.

The blue and white lights halted their conversation. Ricky kept driving. He leaned over Dommy, reaching into the glove box. He withdrew the transparent bag of marijuana, turned to the cargo area and put it in Dave’s hand. “Hide this,” he said. Without objection, Dave stuffed the bag into his pants.

“Pull over,” Domenic said.

“I am. Fuck you!” Ricky steered the van off the road. He extinguished the lit join on his tongue before swallowing it.

The blue lights kept flashing. The five waited. A slim officer walked around the vehicle. Domenic could see him in the side mirror looking for anything out of the ordinary, a reason he could write a ticket. The cop took his time checking the windows; he scrutinized the bumper, the license plates, and the inspection sticker before coming to a stop slightly behind the driver’s side window. “License and registration,” he said. Ricky had them ready. He handed them off and started to roll up the window, but the cop put out his gloved hand. Ricky stopped turning the handle. The cop sniffed the air. “Do you know why I pulled you over tonight?”

“Nope.”

“You took some time at the green light back there. Have you been drinking?”

“I had one at the restaurant.”

Dumbass! You always lie and say you haven’t had a drop, Dommy thought.

“Please step out of the vehicle.”

Another cruiser pulled in behind them. A second officer joined them. They put Ricky through a standard DWI investigation–walk a straight line, hands on your nose. Four beers and a joint barely registered with the giant. “Stand over here,” the second cop directed Ricky to the side.

A third squad car arrived. The pigs were ready for trouble.

“I detected the scent of marijuana. We will need to search the vehicle,” said the first cop to Ricky. “Is there anything you’d like to tell me before we look? Will I find any weapons or illegal paraphernalia? Best to tell me now. I don’t like surprises.”

“No,” said Ricky with a glance at Dave.

The cops searched the van and questioned the men, but not the minors–Dave and RJ. Domenic had experience talking to cops; he looked them in the eye and answered their questions with confidence. No, he hadn’t been drinking (he didn’t drink). No, he hadn’t smoked any weed this evening (he hadn’t). No, he had not seen anyone smoke pot in the van tonight.

“Please lift your shirt,” the second cop said to Dave. The sixteen-year-old did as he was told. In his waistband was the baggie full of joints. The cop slammed him against the van and cuffed him. Domenic glared at Ricky with sharp eyes. He pulled the man aside and said through clenched teeth, “You’re gonna let him take the rap for you?!”

Ricky put his paw on Domenic’s shoulder and pulled him close, “Keep your fuckin’ mouth shut, Dommy,” he said in a whisper. “You were gonna smoke some, too. He’s a minor. They won’t do anything to him.”

Domenic knocked Ricky’s hand away and pushed him halfway into the road. Both men began to shove one another. Despite Ricky’s size, Domenic’s passion and agility allowed him to hold his own against the larger man.

“You better break that up, or they’re both going to jail,” the third cop said to Danny. Only a year younger than Domenic, Danny was no less brave. He inserted himself between the two. “Knock it off!” he shouted.  The two fighters were still huffing and puffing when they turned away from each other.

Minutes later, the blue lights faded into the night as the cop cars brought Dave back to the station. “What happened?” said little RJ to his father. Ricky stomped his way back to the van. The remaining three were barely inside before he stomped on the gas and roared into the night.  

Domenic beats Ricky. Badly. In front of the big man’s son. This does not sit well with him. He gets his brother Ron and a shotgun and go to Domenic’s apartment to get the power back.                                                        

October 17, 1981

Every night for two weeks before he fell asleep, Dean lay in his bed dreading this moment. The roar of a shotgun blast preceded screams and shouts. He remained in his bed, denying what he knew was happening. He wished he were wrong. He wished Dommy had listened to him. He wished he had done something else to help, but he didn’t know what.

He wished he were dreaming.

Time leaped forward. Dean was outside Dommy’s adjacent apartment without any concept of having traversed the distance. He watched a man with a shotgun, a man he knew, but could not place, entering his brother’s home. Glass from the window lie in pieces on the green linoleum of the kitchen floor. The splintered wooden window frame now wrapped around an empty hole. The spot where he had days earlier warned his brother was shattered. There would be no way to bring back the place where he and his big brother had smoked pot, played cards, sung songs, and strummed guitar. It was gone forever.

Through the hole, he saw Domenic barreling down the stairs. His brother was not fleeing the danger–he was racing straight into it!

Around the corner, at the doorway, Dean watched Domenic attack the man with unmatched ferocity. He now recognized the man as Ron, Ricky’s younger brother. He was built like a tank! Domenic beat Ron with a baseball bat that he wielded like a samurai sword, knocking aside the shotgun and smashing his opponent in the shoulder and head with broad swipes. After the assault, his victim was still conscious, but dazed. Blood was splashed over his head and body. It ran in rivers of red.

Dean was struck by the scene of violence before him. He had seen fights before–on tv, from his father, between his brothers, and on the streets. Those battles were just skirmishes compared to the ferocity of the hostility before him. He knew his brother could get angry, but he had never seen him fight for his life.  

Time, which had raced earlier, now slowed to a crawl. The sheer savagery of his brother overtook him and froze him in place. Ron slipped on his blood as he tried to backpedal out the door. The shotgun, still steaming from its blast, lay on the ground next to Ron. “Dean! Get the gun!” Dommy’s frantic command hit the teenage boy like a flamethrower and unfroze him. As he lunged for the weapon, he was knocked into the air, propelled across the kitchen by the errant arm of Ricky charging into the room. Dean flew through the air. before he crashed through the kitchen table, Ricky picked up the gun and aimed it at Domenic. Time caught up to Dean; in an instant, he was groaning and struggling to get out of the ruins of the wooden table.

Domenic stopped. “Get on your knees,” said Ricky. Without objection, he dropped down  placing his knuckles flat against the linoleum. Air rushed into his nose and came out his mouth in angry blasts. Ricky smiled a crooked toothy grin. He raised the gun so that it pointed at the plastic crucifix above the stove. The shotgun erupted spraying fragments in a controlled stream; Domenic did not flinch as the blast sprayed over his head. Jesus and the crucifix disintegrated against the destructive force of the gun’s pellets.

“Ricky, c’mon, man,” Dean said as he stood up from the wreckage of the table. Still dazed from the impact, he found the strength to say, “You guys can talk it out. It doesn’t have to be like this.”

Ricky pulled the gun away from Domenic and aimed it at the teenager. He said, “Mind your own fuckin’ business, Dean.”

In the instant Ricky changed targets Domenic attacked. He covered a half-dozen steps in a single leap. The gun clattered to the floor as he unleashed an onslaught of punches against Ricky. The big man didn’t have an instant to mount a counterattack. All he could do was try to fend off the hail of strikes. Desperate to get some distance from the relentless assault, he stumbled from the kitchen into the hallway and out into the parking lot. Domenic did not allow him a moment of reprieve. He pursued the fleeing man into the night.

Alone in the kitchen, Dean and Ron stared dumbly at each other. Both were dizzy and confused. Ron said, “I just…I just want to go home.” He wasn’t crying, but tears threatened to mix with the blood on his face. Dean picked up the shotgun from the blood-stained lime-green linoleum. He looked into the battered eyes of the man who came to his brother’s home with a deadly weapon. Dean stared at the gun. It seemed like an alien item in his hands. He aimed it at Ron’s head and rested his finger on the still-warm trigger. His eyes burrowed deep into Ron’s. He saw only a frightened man, his face twisted in fear and confusion, perhaps one who would follow his brother anywhere. “I just wanna go home,” the man said again. Dean saw himself in those eyes. He understood him.

He made a mistake he would regret the rest of his life.  

He handed the gun back.

Ricky gets the gun from his brother and kills Domenic, but for purposes of the presentation I skip over the details of the murder. The men are caught and the next scene is the end of a short trial.

July 1, 1982   

“Dean, you’ll never guess what happened!” Diana said, running from the courthouse. Dean sat on the steps smoking a cigarette. Diana was a young mother, but she was still a kid. Even after the judge had just told her that she was not to repeat what happened in court, she immediately opened her big mouth.

“Diana, shut up,” Dean said, as he looked around for witnesses to her contempt.  

They were called back. The jury had reached a verdict.                     

After they shuffled inside, the judge asked if the jury had reached a decision. This was it! Dean squeezed his little sister’s hands. Finally, there would be justice. They could move on with their lives.

“On the charge of manslaughter the jury finds Richard Sullivan guilty .”

There was a noticeable gasp from the crowd that prompted a gavel banging from the judge. He could hear a woman sobbing. He knew it was Darlene. He has heard her cry before, but never with so much sorrow. He doubted she cried this much when she found out her brother was dead.

“We the jury find Ronald Sullivan not guilty.”

‘Not guilty?’

The crowd murmured their thoughts to one another. The judge ordered Ron to be immediately released, following some paperwork. He ordered Ricky remanded to custody.

Dean stared at nothing, his face aghast, drained of color. Diana’s eyes opened wide. Her face thrust toward Dean’s. She said, “Manslaugter and innocent? That’s it? They killed Dommy. It’s over?” She squeezed his hand with all the might she could muster. “We can have a retrial or something, right?” Her eyes made demands of his. They burrowed into him.

Dean placed his other hand across hers. He didn’t look at her as he said, “Nope. That’s it. Ron goes home. Ricky will get sentenced later. Probably spend a few years in jail.” He started to stand, but she held. She said, “Ricky gets a few years in jail and Ron gets to go home? Fuck!” The familiar, yet unpracticed, word came out before she could stop herself, a swear Domenic would never hear.

 

An Open Letter from Cecil the Lion to Walter Palmer D.D.S.

cecil-the-lion

An Open Letter from Cecil the Lion to Walter Palmer D.D.S.

You imagine yourself as a killer, a real predator. But you are a thin, pink, hairless, primate with too much brain and not enough muscle. Without any real challenges, you took time away from your job fixing the teeth of other humans to fly to my home of Zimbabwe. There you hired some locals to lure me away from the safety of my home, and you shot me with an arrow. I didn’t have a chance. You covered yourself in oils that masked your scent and ambushed me from upwind. Your arrow blasted through muscle and bone, but it didn’t kill me. It would have–eventually. An arrow in the side might kill me later, but if it didn’t the blood loss and infection would set in–if my slowly-dripping blood didn’t attract another predator. You did the noble thing. As I rested in the darkness licking my wounds, you tracked me. As I was suffering the pain of your arrow, you finished the kill with a rifle–not because you wanted to end my suffering, but because you wanted my head and skin.

I understand the need to kill. It’s how I survive. Sometimes I must kill my own kind, be it a rival male or even a lion cub that might grow up to kill or force me away from my pride. I don’t understand killing when it isn’t necessary for survival. You don’t kill because you have to, but because you want to. Maybe it’s fun for you–striking down a creature with a weapon that another man crafted. Perhaps you get a sick thrill from killing. Or, more likely, you do it to look fearless in front of other primates. You pose for photos with the carcass so they may  see you and imagine how virile and masculine you are. No doubt you will take a female who is impressed by such things and mate with her on the rug that was once my skin and head.

You might wonder why other humans hate you. Surely there are other killers of animals who should be equally hated, such as those who poach rhinos, elephants, bears, lions, even other primates such as apes and monkeys. All are killed and captured for the desires and enjoyment of humans. Make no mistake, Mr. Palmer, others of your kind hate them too. It’s just that they know your name and face with it’s perfect teeth and a self-satisfied smile. They know your stench.

I wish I had the chance at a fair fight. If you won, imagine the story you could have told others of your kind after winning a battle with a mighty lion! You could have told them how you survived a swipe from my massive paw only to finish me with a thrust of your weapon! But you and I know that’s not how the battle would have ended. One slash would have emptied your entrails and I would have torn the flesh from your bones for hours.

You will never know true strength, but you got to pretend for a while. in the end we all meet the same fate.

If you’re lucky, you’ll get to see it coming.