Tag: reviews

Sex Criminals: One Weird Trick

Sex Criminals: One Weird Trick

GRAPHIC JANOTATIONS (comic reviews and discussions by Jan. Get it?)

SEX CRIMINALS VOL. 1: ONE WEIRD TRICK

“Yes They Were Kegels.”

Matt Fraction does did it again.

I know I’m late to the show, but Matt Fraction is one of my favorite comic writers. I was reminded of the Image comic Sex Criminals by recent headlines, and after a brief interweb search, found it was by Fraction. I love Hawkeye: My Life as a Weapon, and his current run on Batman, but how would he handle have handled a non-superhero comic that came out over a decade ago?

Answer: Quite well. 

Sex Criminals: One Weird Trick (compiling issues 1-5) is a fantasy romance heist with a twist. Suzie stops time whenever she, um, rubs one out, flicks her bean, tickles her taco, er masturbates. Not just a metaphor, she really stops time. She feels alone until she meets Jon, who has the same power, and they stop time together. 

No spoilers, but the two explore their sexual pasts while making a romantic future together. The climax builds until they come up with an illegal plan to save the library where Suzie works, and run afoul of the time-fuzz (um, dick-police?). The story is well written, funny, original, and sexy all at once. Chip Zdarsky, who I assume does the art (the credits aren’t specific), has fun with the panels, including easter eggs in the background, and Benny Hill chases scenes, while Fraction uses wall-breaking, talk-to-the-reader storytelling, squeezing it inside a wholly original plot until it explodes all over the page.

There’s a scene that jokes about using a Queen song as part of the story, but because they couldn’t get the rights, they have to use Post-it notes over the text. I’m not sure if it differs in the original comic, but it is beyond clever and unique either way.

Anyway, Sex Criminals is published by Image, and the collected edition is super low in price, retailing at 9.95 for 5 issues.  

Hawkeye Disney+ Show

This is my review from 2019 of the Hawkeye graphic novel, that seems to have heavily inspired the new show (which as of this post I have not seen). My Life as a Weapon and the following releases, Little Hits, Rio Bravo, and LA Woman seem an unlikely inspiration for a television series starring the marksman Avenger. His career as Ronin (briefly hinted at in Avengers: Endgame) would have been bad-ass. Flashbacks to his life as a super villain in the comics would have been neat. But, Clint Barton apartment complex owner who gets a dog, a girl-sidekick, and deals with the likes of the TrackSuit Mafia, gets the shit kicked out of him, and battles the villain known as (Spoiler) is a great choice for plot line to bring to the small screen. It’s exactly what I would have picked.Matt Fraction’s run on Hawkeye is amazing and different from any superhero comic you will ever read.

Volume 60: Hawkeye: My Life as a Weapon (2013)

“What’s his name?”
“He’s not my dog. What’s his collar say?”
“Collar says it’s ‘Arrow’”.
“I’ll come up with something better.”

I thought this would be an ordinary story about a team superhero member on a solo adventure. Typically these solo missions involve their backstory, maybe a love interest, they might confront the person who trained them, and so on. You know, superhero stuff that expands the character but probably won’t come up again in the context of a team book. 

Wrong.

Hawkeye: My Life as a Weapon features Clint Barton, a powerless, but not helpless Avenger. Clint’s meager apartment building is about to be sold and its residents evicted by a Russian slumlord aka Tracksuit Dracula. Clint offers to buy the building but the offer is rejected causing him to suspect something larger and more sinister is going on.  

Enter Kate Bishop, Clint’s young replacement during his recent absence. Together they journey to Madripoor to attend high stakes a high stakes auction of a videotape showing an assassination that the government and SHIELD and the Avengers would rather not be seen by the world. Everyone who is everyone is there to bid on the tape, including The Kingpin, Hydra, the Hand, and Madame Masque. 

This new (from 6 years ago) direction for Hawkeye is fun and the writing and art are perfect. Fraction uses some bold storytelling techniques including shifts in time without warning, something your creative writing teacher would say, “…is jarring” but it works, and what does she know anyway?

My only complaint is the disparity in Hawkeye’s combat readiness. Early-on he gets into fights with untrained thugs and the sheer number of opponents combined with the danger of combat and he is taken out. More than once. You might think, “Okay, it’s gonna be one of those kinds of stories where the hero gets his ass beat,” but later Hawkeye takes on trained and armed ninjas and beats them like they were cub scouts. What does this mean? I don’t know. Otherwise, Hawkeye, written by Fraction makes me happy.  

by Matt Fraction (Writer), David Aja (Artist, #1-3) Javier Pulido (Artist, #4-5) Matt Hollingsworth (Color Artist), Annie Wu (Illustrator) Chris Eliopoulos (Letterer), Alan Davis (Penciler), Francesco Francavilla (Illustrator)

Check out my other reviews on my Facebook Page http://www.facebook.com/janivesthewriter

Confessions 9/23

On the theme of reviews: It’s easy to get energy from positive reviews but it’s just as easy, if not easier, to let the bad reviews get you down. Last night, I was looking at my Goodreads author’s page and trying to utilize its resources as best as possible, it is important to make sure your info and publications are up-to-date. Goodreads is a part of Amazon so they list all my books, available and not available. For some reason, it lists my trade paperback The League of Super Groovy Crimefighters twice and both listings have a few reviews. 

Scanning. 

Scanning. 

Two one-star ratings?! No followup on what they liked and didn’t like. Just fart and get off the elevator. I’m very proud of the work I did creating, writing, and publishing a limited series. To me, one star denotes the worst of the worst which would include terrible art and god-awful writing. Say what you want about the idea and execution, the art is great. I didn’t draw it, but the artists who contributed to the cover and interior work did a fantastic job. Maybe the humor was sophomoric. Maybe he didn’t like black-and-white. Maybe he didn’t think poking fun at the themes and oddities of the 70s was very funny. Either way, one star is harsh, in my humble opinion.

I’m being sensitive, of course. The comic series never really took off the way some other Indies like TMNT or the Tick did, so I understand some just didn’t get it. That’s okay. You never know. You have to try.

I did a promotion on Bookbub for a free book giveaway for my novel Twenty-One Octobers. 100 people were selected from thousands of entrants to receive a free digital copy. I netted about ten ratings and one written review, which was nice but perhaps not “worth it” for the money I spent. It’s hard to know if the other 90 winners have read or will read the book, but as an indie writer you can only try and hope something works. Some people will read what you write and love it. Some people will read it and hate it. Some will tell you, and fewer will tell you why. That’s okay, because most people won’t read it. 

I have a friend who showed her support by buying a copy of my science fantasy book Champions of the Maelstrom. Her mother picked it up off the table and read it without knowing anything about the book. She enjoyed it despite not being a fan of the genre or even knowing me. 

You never know. 

Confessions…9/22

A continuation of my previous Confession- my reviewer gave the final book in my series, Avatars of the Maelstrom 4/5 stars! I’ve been checking every day like a I was waiting for a grade from my professor.

“Great story, keeping you guessing every page I read. Unexpected ending…I’m sure you all will enjoy reading.”

Here’s hoping all my reviews are that positive.

I haven’t written anything in a few days; I’m working on new formats for my previous publications. Large Print and Hardcovers require redoing the original covers, a task for my freelance artists. I changed computers last year and lost the writing of Twenty-One Octobers, so I had to salvage my original Word by downloading the book on Amazon and splitting it up into chapters and recreating the book using Vellum. But after a couple of day’s work, I have my digital manuscript back.

I’m also waiting on the cover for the Trilogy edition of Tragic Heroes as well as the prototype cover for sVck, the first from friend and long-time artistic go-to-guy, Michael Kelleher, the second is coming from art house 100 Covers.

Okay, back to work. Blessings on all your houses.