Confessions of a Failed Writer part 3

September 17, 11:02 A.M.

I’m putting off listening to the auditions for my audiobook. I have a dozen or so and it’s a short scene the professionals have read. Why am I procrastinating? Self-doubt. Wondering if I’ll make the wrong decision on who will read my deeply personal work. I could do it myself, but I don’t have a great voice. I know all the inflections and how I want it read, but I’d prefer to leave that to the professionals with the experience and equipment to create a high quality finished product.

The second question is do I come up with the money to pay a voice actor or do I do a profit split? I’ve read the author’s laments who regret doing the split. But the upfront costs of paying a good producer can be a grand or more. Do I bet on myself for future earnings? Or do I take the safe route and save the upfront costs? I’ve only sold 9 copies of my book, so how many audio copies will I sell?

I will put that off until tonight. I’ll have my partner Anya listen with me for a second opinion. For today, I have daily goal of 2000 words. That’s an easy goal, maybe the word “achievable” is better than easy. Especially since I’m dividing the daily goal among three novels: Legacy of the Maelstrom, Mind the Shadows and sVck. I figure the three books should total about 225,000 words, so if I achieve my daily goal, I’ll be done the first draft of three books in four months. The trick is to write. Some writers do what is called “sprinting” where they close the doors and type until the allotted time is up. Usually an hour. Others write to be perfect. Each word is carefully chosen to not require much polishing in a second draft. My process is somewhere in the middle. I’m mostly writing dialogue with a few descriptors. Here’s an example of what I wrote last night.

                                                           sVck

“How was your dinner date?”

Savanah hung her head. Humphrey eyed her with a snarky smile. “I checked your window at 12:30 and you still weren’t home. And your 9:00 o’clock came out of your hall looking unsatisfied. What happened?”

“Things got out of hand, Humph. We fucked.”

Humphrey spit out his coffee. “You what?! You fucked a vampire!?”

“Would you keep it down, for christ’s sake?!”

“What do you mean, you fucked?”

“We did it. It was awesome. I’ve never been with a woman before. She did stuff to me. I came so fucking hard.”

“That’s awesome, Savvy. You needed to nut. Seriously. You’ve been doing a lot of blowing with no payback. What else happened?”

“I asked her about vampire life. I told her about my alternative food source. She showed me her thralls. Four guys. They ate raw meat and she fed on one while I watched. I, uh, showed her my method.”

“You blew one of her guys?”

“While she watched.”

“Hot.”

“He keeled over. Dead.”

“What?”

“I don’t understand what happened. Maybe he was so weak that…”

“…you sucked him to death?”

“Yeah.”

“Dammnnnnnn.”

In my next draft I’ll go through and add descriptions. Spice it up. Sometimes I leave the dialogue when I feel the reader knows who is who without the need to write “he said” and “she said.” It creates a better back and forth. 

What’s your process?

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